This package was comprised completely of the Gillioz Theatre’s house inventory, which is obviously all Shure. I’ll do my best to reconstruct the input list (audience mics added for recording purposes): Now let’s look at a photo from Delta Sol Revival playing First Friday Live at the Gillioz Theatre. This show was quite some time ago and, as most church bands do, featured a wide variety of instruments and players, so I don’t remember the exact input list. Shure SLX2 wireless handheld with Beta 58 capsule (emcees).Shure KSM137 (drum overheads–the Gillioz is a very live room and I often would choose to not close mic toms).
My pile makes it a bit hard to see all the models, but I believe this night’s package, which as with all the following selections were selected by yours truly, featured the following: It was something about the sight of this chair-full of microphones that prompted me to whip out the camera-phone and snap a picture. When striking a stage, I always start by pulling all mics (and clips, if stored with) from their stands and putting them in one place so I can keep watch and get them back to their homes as quickly as possible to avoid the possibility of any microphones “walking off” in the rush of load-out. I started taking these pictures after a Springfield church chose the Gillioz Theatre to host their annual holiday variety show. While I wish I had been more consistent in taking these photos and collected pictures from every show I’ve mixed, I would like to showcase a few in today’s post. In browsing the photo album on my phone, I realized I have gathered a decent collection of shots featuring collections of microphones I’ve used on assorted gigs. There are so many different kinds with a variety of applications and sonic possibilities. I could browse the web for days just looking at and reading about various mics.
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